Live microtonal improv in 25Edo & 26Edo (25-ET & 26-ET). 25edo and 26edo are chosen because most of the Earth’s human population lives between The 25th and 26th parallel (25°N and 26°N Latitude).
Aleatory composition featuring randomized arpeggiation sent to a virtual synth scripted to output 11Edo & 13Edo (11-ET & 13-ET) simultaneously
A fuzzy synth improv created with a unique microtonal tuning. It is unique because its Equal Divisions of the Octave and the Cents per Semitone share the same value! That value is the square root of 1200 (34.64101615…). This means that 34.641-EDO has 34.641 cents per semitone. No other micro tuning contains this symmetry.
An alchemy-inspired exploration of the octave divided into 16 equal parts. 16edo microtuning was chosen because it is the atomic number for Sulphur (S).
The dissonant intervals possible when overlapping multiple tuning systems. Specifically 11Edo and 17Edo. 11 and 17 were chosen because they are the atomic numbers for Na (Sodium) and Cl (Chloride) respectively.
Pogson’s Ratio (the fifth root of 100) refers to the logarithmic Magnitude scale used to classify the brightness of celestial bodies.
Algorithmic Composition featuring six simultaneous equal temperaments: 27Edo, 12Edo, 9Edo, 7Edo, 5Edo, and 4Edo.
Created using a 2-octave, 18-note scale with intervals inspired by Benford’s Law (a.k.a. The Newcomb-Benford Law, the law of anomalous numbers, or the first-digit law).
